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Grand Vase - Collection Noire

LOUISE TRAON

Grand Vase - Collection Noire

120,00€
Sale price  120,00€ Regular price 
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This vase by Louise Traon is distinguished by its generous, rounded silhouette, whose balanced proportions evoke the simplicity of archaic forms. Its dark surface, in deep shades of brown and black, reveals a raw texture marked by fine horizontal striations, reflecting the craftsmanship of the hand. The absence of ornamentation emphasizes the expressive strength of the material and the purity of the volume. Between sculptural presence and mineral restraint, this piece explores the dialogue between artisanal gesture, texture, and form.

Details

Blend of locally gathered stoneware clays and grog, glazed with wood ash and wild clay.

14 x 23 cm - 5,5 x 9 in

Handmade

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LOUISE TRAON

In an approach where experimentation meets traditional craftsmanship, French ceramicist Louise Traon develops a distinctive artistic language at the intersection of functional objects and sculptural expression. Her work explores the transformative potential of clay and mineral materials, with each creation bearing witness to a process in which technical mastery leaves an essential place for the unpredictable.

At the heart of her practice lies an extensive exploration of glazes, developed from natural materials such as clay, ash, granite, and chalk. Exposed to the transformative power of fire, these elements undergo sometimes unexpected reactions, giving rise to surfaces with intricate textures, subtle tonal variations, and organic reliefs. Drips, crystallizations, and irregularities become integral elements of a visual language reminiscent of mineral landscapes and geological formations shaped by time.

Between intention and chance, precision of gesture and freedom of material, Louise Traon challenges the boundaries between craftsmanship, design, and contemporary art. Her creations transcend their original function to assert themselves as sculptural presences, each piece retaining the traces of its making and the transformations undergone during firing. Her work thus invites a sensitive contemplation of matter, its metamorphoses, and its imperfections.

Dialogue