The imaginary interior of a collector, where contemporary design, artworks, and everyday objects coexist. Each piece is chosen not as an isolated object, but as an element in a larger dialogue between form, material, and atmosphere.
JUNE - AUGUST 2026
From right to left: Cercle Blanc by Manuel Mérida, Sans Titre by Roberto Platé, and, in the foreground, the Ribbon Bench by Emma Donnersberg. Two seats from the Cloud collection — the Cloud Nimbus Chair and the Cloud Stratus Chair — are also by Emma Donnersberg. In the background, Cercle Rose by Manuel Mérida enters into dialogue with the Penzai Floor Lamp by Emma Donnersberg, created in collaboration with Abel Carcamo. On the left wall, two Sans Titre and Sans Titre works by Roberto Platé accompany the Marigold Sofa by Emma Donnersberg. The Tipi Table, Cèpe Stool Bronze, Cèpe Stool Verde, and Liva Mirror Round, all by Emma Donnersberg, complete the installation. Finally, Beautiful British Columbia 1, 2, 3, and 4, photographs on Japanese paper by Benjamin Rosemberg, complete the exhibition.
For this inaugural exhibition, the creations of designer and interior architect Emma Donnersberg enter into a dialogue with the works of Carlos Cruz-Diez and Manuel Mérida, two historical figures represented by the gallery for many years, while opening up new perspectives through the works of Marcel Krempin, Roberto Platé and Benjamin Rosemberg.
Together, they compose an environment where furniture, light, color, and material contribute to a single sensory experience. These works create a space where light, matter, and perception meet and respond to each other.
From right to left: the Cloud Stratus Chair, US Table, Penzai Floor Lamp (created in collaboration with Abel Carcamo), Marigold Sofa, and Tipi Table by Emma Donnersberg engage in dialogue with Cercle Rose by Manuel Mérida and the Sans Titre and Sans Titre works by Roberto Platé.
In the foreground, the Mushroom Bronze by Emma Donnersberg responds to Cercle Blanc by Manuel Mérida.
Inspired by the rhythms of nature and organic forms, Emma Donnersberg's creations shape the landscape of this universe. They resonate with Manuel Mérida's exploration of real movement, Carlos Cruz-Diez's chromatic phenomena, Marcel Krempin's contemplative spaces, Roberto Platé's silent architectures, and Benjamin Rosemberg's atmospheric photographs.
A selection of glass, ceramic, wood, and wax objects extends this dialogue between art and design. Between utility and sculptural presence, these pieces introduce new textures and materialities, contributing to the same balance of light, form, and perception.
In the foreground, the Mushroom Bronze stools by Emma Donnersberg. From right to left: Cercle Blanc by Manuel Mérida, Sans Titre by Roberto Platé, the Ribbon Bench by Emma Donnersberg, the Cloud Nimbus Chair by Emma Donnersberg, the Penzai Floor Lamp by Emma Donnersberg, created in collaboration with Abel Carcamo, the Marigold Sofa by Emma Donnersberg, the Sans Titre and Sans Titre works by Roberto Platé, the Liva Mirror Round, the Tipi Table, the Cèpe Stool Bronze and Cèpe Stool Verde by Emma Donnersberg, Beautiful British Columbia 1, 2, 3, and 4, photographs on Japanese paper by Benjamin Rosemberg, and, on the far left, Noctis 02 by Marcel Krempin.
