Born in Kalocsa, Hungary, in 1912 and settled in Paris from 1936 onwards, Nicolas Schöffer is widely regarded as one of the great pioneers of Kinetic Art and, above all, as the founder of Cybernetic Art. Trained in the fine arts and initially drawn to architecture, he developed a revolutionary vision of art based on the integration of movement, light, time and emerging technologies.

From the late 1940s onwards, Schöffer formulated the concepts of spatiodynamism, luminodynamism and later chronodynamism, seeking to transform the artwork into an evolving system rather than a static object. Influenced by Norbert Wiener's theories of cybernetics, he conceived sculptures capable of responding to their environment through sensors, motors and electronic devices.

His most celebrated work, CYSP 1 (1956), is widely recognised as the first cybernetic sculpture in the history of art. Equipped with photoelectric cells, microphones and an electronic control system, it reacts to surrounding light, sound and movement, establishing a new relationship between the artwork, its environment and the viewer.

Throughout his career, Schöffer expanded his practice into architecture, urban planning, film, music and interactive environments. Monumental projects such as the Cybernetic Tower in Liège and his visionary proposal for the Cybernetic Light Tower at La Défense reflect his ambition to transform the city into a living organism where art, technology and collective participation converge.

Awarded the Grand Prize for Sculpture at the Venice Biennale in 1968 and elected a member of the Académie des Beaux-Arts, Nicolas Schöffer profoundly influenced generations of artists working with light, movement, robotics and digital technologies. Today, he is recognised as one of the foremost pioneers of interactive art and artistic practices rooted in new technologies.